Artissima 2013

Samson’s process begins as that of a researcher.Her time outside of the studio is spent culling knowledge that is later used to create images and objects within the studio. Samson’s recent series of glass pictures titled, For a future observation of the dark matter, stem from her discovery of graphic simulations generated by a spectroscope during her time at the laboratory of astronomy in Marseille.Her images recall ideas as diverse as grid systems used in optical astronomy as well as the geometric abstraction of Josef Albers.The pictures are created through a delicate firing process in which layers of sand engraved black and white glass are laid one on top of another with jewel-like precision.The resulting pictures look like archeological tablets from another planet.

While Samson’s focus is on the stars, Giordano’s painting process is akin to that of an archeologist, digging deep into the earth’s surface for answers.Giordano’s Cutpaintingsare the result of a relentless studio practice.They are created by pouring successive layers of acrylic paint, one on top of another for weeks and months at a time.Once the paint has dried, Giordano cuts into the stratified surface using X-acto knives and power saws to reveal the history and depth of the paintings own making.These cuts are a literal deconstruction of the painting itself and stand as a metaphorical deconstruction of abstract painting of the last century.

Both Bettina Samson and Jacin Giordano are interested in the exploration of material, process and history.Their techniques of accumulating successive layers allow apparent contrasts and oppositions to live side by side with efficiency and intrigue.Each work constitutes a possible solution for the artist, a working hypothesis.