Celia Hempton installation in " Kathy Acker: Who Wants to Be Human All the Time" (cur. Jenny Schlenzka and Bjarne Melgaard), Performance Space 122, New York, USA 8 March 8 April 2018
Art in the Age of the Internet, 1989 to Today, Cur. Eva Respini, ICA, Boston, USA, 2018
Tainted Love, Confort Moderne, Poitiers, France, 2017
Desire. An Exhibition about Sex, Love and Lust, Museo de Arte Moderno de Medellín, Medellín, Colombia, 2017
Installation view, 'The Female Gaze Part II: Women Look at Men', Cheim & Read, New York, USA, 2016.
Installation view, 'Art Night', ICA London, Curated by Kathy Noble. Photography: Mark Blower
Installation view, 'Electronic Superhighway 2016 – 1966', Curated by Omar Kholeif with Séamus McCormack, Whitechapel Gallery, London, UK
Installation view: 'Prediction', curated by Milovan Farronato, Mendes Wood DM, Sao Paulo, Brazil, 2016.
Lupa, installation view, Sultana, 2015
Forget Amnesia, installation view, Fiorucci Art Trust, Stromboli, July 2014
Installation view, "FLY ASH", 2015, White Cubicle, The George & Dragon, Hackney, London, UK.
Silica, Exhibition view, Sultana, Nov 2013
“Abstract Cabinet”, curated by Vincent Honoré, David Roberts Art Foundation, June July 2013
Installation view, VUG, Neuer Aachener Kunstverein, Aachen, Germany, 2013
Frieze New York. New York, USA
Celia Hempton (born in 1981, Stroud, UK) lives and works in London. She graduated from the Royal College of Art with an MA in Painting in 2007 and completed her BA in Fine Art at the Glasgow School of Art.
Her recent group exhibitions include: (forthcoming) London Bridge. Arte Contemporanea in Gran Bretagna, (British Council exhibition curated by Norman Rosenthal and Harry Woodlock), Ca’Pesaro, Venice, IT, Futures of Love, Magasins généraux, Pantin (2019), No Patience for Monuments, Perrotin Seoul, South Korea (2019); RUPERT, Vilnius, Lithuania (2018); MADEMOISELLE, Centre Régional D’Art Contemporain Occitaine Pyrénées-Méditerranée, France (2018); Cécile B. Evans, Celia Hempton & Emily Whitebread, her gallery, London, UK
(2018); Kathy Acker: Who Wants to Be Human All the Time (cur. Jenny Schlenzka and Bjarne Melgaard), Performance Space 122, New York, USA (2018); Art in the Age of the Internet, 1989 to Today, ICA, Boston, USA (2018), curated by Eva Respini.